Daniel Kremer

A Man of Potential: Visions of Paul Wendkos, the Godard of Gidget

Now, Irving Rapper

William Wyler: Forty Takes Willy

Love Left the Masquerade: Peter Medak's Cinema of Pretenders

Cruel, Usual, Necessary: The Passion of Silvio Narizzano

Jack of Three Trades: In Focus on Nicholson the Director

Cinema of the Pilpul: A Talmudic View of Early Holocaust Cinema

Survival Scars: Franklin J. Schaffner as Auteur

Dead Neon: The Many Faces of Lenny Bruce on Film

It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point

Clear Lines of Sight: Sidney J. Furie at Paramount

Elective Vicissitudes: The Radical Exiles of Jules Dassin

Paralyzed Segments: Suzanne Pleshette Tangled Up in Codes

The Brando Interregnum: The Decade of Marlon's Dirty Dozen 1962-1972

The Great Ecstasy of Tree-Climber Otto, or How I Learned to Stop Worrying and Love Late Preminger

Xenolith Atlas

La Vie en Gris: The Anglophone Louis Malle in Seven Pictures

Ammo for Shooting Clouds: John G. Avildsen Before Rocky

Looking to Get Out: A Comparative Analysis of the Ted Kotcheff Vision

Arid Cut

Ezer Kenegdo

The Fourth Movement

The Wind Blows Where It Wishes

Ben Fries the Slaves

David Cronenberg Presents Wireless Internet

Danny and the Scatman

Even Just

Terms and Conditions Apply: The Cinema of Robert Ellis Miller

Never the Same Step Twice: The Later Films of Stanley Donen