Daniel Kremer

A Man of Potential: Visions of Paul Wendkos, the Godard of Gidget

Now, Irving Rapper

Love Left the Masquerade: Peter Medak's Cinema of Pretenders

Cruel, Usual, Necessary: The Passion of Silvio Narizzano

Jack of Three Trades: In Focus on Nicholson the Director

Dead Neon: The Many Faces of Lenny Bruce on Film

Cinema of the Pilpul: A Talmudic View of Early Holocaust Cinema

Survival Scars: Franklin J. Schaffner as Auteur

It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point

Clear Lines of Sight: Sidney J. Furie at Paramount

Elective Vicissitudes: The Radical Exiles of Jules Dassin

Paralyzed Segments: Suzanne Pleshette Tangled Up in Codes

The Brando Interregnum: The Decade of Marlon's Dirty Dozen 1962-1972

The Great Ecstasy of Tree-Climber Otto, or How I Learned to Stop Worrying and Love Late Preminger

La Vie en Gris: The Anglophone Louis Malle in Seven Pictures

Ammo for Shooting Clouds: John G. Avildsen Before Rocky

Looking to Get Out: A Comparative Analysis of the Ted Kotcheff Vision

Equinox Expressway

Overwhelm the Sky

Ezer Kenegdo

Raise Your Kids on Seltzer

A Simple Game of Catch

The Idiotmaker's Gravity Tour

A Collection of Chemicals

A Trip to Swadades

Sophisticated Acquaintance

Charles at the Threshold

Even Just

Countercurrents

Sidney J. Furie: Fire Up the Carousel!

Terms and Conditions Apply: The Cinema of Robert Ellis Miller

Never the Same Step Twice: The Later Films of Stanley Donen