Peruvian

暫無暫無暫無尚無足夠評分

Rafael Hastings superimposes several versions of the face of his friend, the musician and percussionist Manongo Mujica, showing the multiplicity of images that can derive from the recording of a movement from the same point towards the four cardinal points (East to West and North to South, respectively) and the musician's face becomes a kind of "fifth cardinal point".